Details

Tab Benoit, Sol Driven Train
Sol Driven Train
Tab Benoit
Dec 13, 2012 at 8:30 PM
Ticket sales ended Dec 14, 2012 3:30 AM. Additional tickets may be available at the box office.
For those of you who joined us last year for the fiery Tab Benoit / Sol Driven Train show on Fat Tuesday, you can understand why we are bringing back the exact same lineup back to Athens once more. We are happy to invite you to once more experience the effortless Louisiana Blues Rock of Tab, coupled with the easy flowing vibes of Sol Driven Train. They are an odd couple, but a couple that compliments each-other very well, and we want to extend a warm invitation for you to come see for yourself. Tickets are only $15 advance for this December 13th show.


- 18+ Show -
Music
Ticket Prices
General Admission
$20
Reserved Table for Two
$60
Reserved Table for Four
$120
Event Schedule
Sol Driven Train
8:30 PM
Tab Benoit
9:30 PM
If you need to visualize the soul, think of it as a kind of train. Yes, a long, lonesome freight train rumbling from generation to generation on an eternally rainy morning: its boxcars are loaded with sighs and laughter, its hobos are angels, its engineer is the queen of spades - and the queen is wild. Whoo-whoo! Hear that epiphanic whistle blow. The train's destination is the godhead, but it stops at the Big Bang, at the orgasm, and at the hole in the fence that the red fox sneaks through down behind the barn. It's simultaneously a local and an express, but it doesn't transport weaponry, and it certainly ain't no milk run."- Tom Robbins, Villa Incognito

Sol Driven Train's music weaves through genres like a Tom Robbins paragraph. The band's sonic schizophrenia absorbs American influences like Jon Prine and Paul Simon, and Afro-Caribbean rhythms into honest songs about life, love, loss, and long johns. The 5-piece band, based in Charleston, SC, features 4 rotating lead vocalists, and multi-instrumental talent spread across horns, strings, and percussion.

"Believe," the band's 8th independent release in 10 years (including a live album, a live concert DVD, and two studio albums for children), is getting national airplay. The band stays busy on the road, averaging 150 shows per year, and is appearing this summer at festivals and clubs across the country. more >>>
Tab Benoit | 9:30 PM
Tab Benoit is a Cajun man who’s definitely got the blues. Born November 17, 1967, he grew up in Houma, Louisiana. A guitar player since his teenage years, he hung out at the Blues Box, a ramshackle music club and cultural center in nearby Baton Rouge run by guitarist Tabby Thomas. Playing guitar alongside Thomas, Raful Neal, Henry Gray and other high-profile regulars at the club, Benoit learned the blues first-hand from a faculty of living blues legends.

The nightly impromptu gigs were enough to inspire Benoit to assemble his own band – a stripped down bass-and-drums unit propelled by his solid guitar skills and leathery, Cajun-spiced vocal attack. He took his show on the road in the early ‘90s and hasn’t stopped since.

Benoit landed a recording contract with the tiny, Texas-based Justice Records and released a series of well-received recordings, beginning in 1992 with Nice and Warm, an album that prompted comparisons to blues guitar heavyweights like Albert King, Albert Collins and even Jimi Hendrix. Despite the hype, Benoit has done his best over the years to maintain a commitment to his Cajun roots – a goal that often eluded him when past producers and promoters tried to turn him and his recordings in a rock direction, often against his better instincts. These Blues Are All Mine, released on Vanguard in 1999 after Justice folded, marked a return to the rootsy sound that he’d been steered away from for several years.

That same year, he appeared on Homesick for the Road, a collaborative album on the Telarc label with fellow guitarists Kenny Neal and Debbie Davies. Homesick not only served as a showcase for three relatively young but clearly rising stars in the blues constellation, but also launched Benoit’s relationship with Telarc that came to fruition in 2002 with the release of Wetlands – arguably the most authentically Cajun installment in his entire ten-year discography.

On Wetlands, Benoit mixes original material like the autobiographical “When a Cajun Man Gets the Blues” and the driving “Fast and Free” with little-known classics like Li’l Bob & the Lollipops’ “I Got Loaded,” Professor Longhair’s “Her Mind Is Gone” and Otis Redding’s timeless “These Arms of Mine” (Tab’s vocal style has long been influenced by Redding).

Later in 2002, Benoit released Whiskey Store, a collaborative recording with fellow axemaster and Telarc labelmate Jimmy Thackery. Also along for the ride on Whiskey Store are harpist Charlie Musselwhite and Double Trouble – the two-man rhythm section of bassist Tommy Shannon and drummer Chris Layton that backed Stevie Ray Vaughn on his brief but luminous blues career.

After a prolific first year with Telarc, Benoit continued to explore the bayou backbeat in 2003 with the June release of Sea Saint Sessions, a collection of gritty, cajun-flavored tracks recorded at Big Easy Recording Studio (better known among musicians in the region as Sea Saint Studio) in New Orleans. In addition to Benoit and his regular crew – bassist Carl Dufrene and drummer Darryl White – Sea Saint Sessions includes numerous guest appearances by Big Chief Monk Boudreaux, Cyril Neville, Brian Stoltz and George Porter.

That same year, Benoit and Thackery took their dueling guitar show on the road and recorded a performance at the Unity Centre for Performing Arts in Unity, Maine. The result is Whiskey Store Live, a high-energy guitar fest released in February 2004.

Benoit returned in 2005 with Fever for the Bayou, a straightened Louisiana blues recording that seamlessly merges his own songcraft with that of Elmore James, Buddy Guy and other masters. Fever for the Bayou also includes guest appearances by Cyril Neville (vocals and percussion) and Big Chief Monk Boudreaux (vocals).

Benoit dug further into his roots in 2006 with the April release of Brother to the Blues, a recording that encompasses not only his trademark cajun blues but also traditional country and vintage R&B. Joining him on the project are members of the cult blues/R&B/rock combo Louisiaina LeRoux, veteran country songwriter Billy Joe Shaver, Americana pioneer Jim Lauderdale and cajun fiddler Waylon Thibodeaux.

Benoit’s Power of the Pontchartrain, released in June 2007, was is in many ways a musical tribute to the natural beauty of his homeland and the dedication and perseverance of those who still live there.

An environmental activist as well as a stellar blues musician, Benoit has made the preservation of the endangered delta wetlands his personal crusade. He serves as president of Voice of the Wetlands, an environmental organization he co-founded in 2003, and he appeared prominently in Hurricane on the Bayou, a 2006 documentary by filmmaker McGillivray Freeman that chronicles life in Louisiana after Katrina. Hurricane on the Bayou played in IMAX theaters in the U.S., Canada and Europe throughout 2007.

Benoit’s latest Telarc CD is Night Train To Nashville, recorded at The Place On Second Street in Nashville in May 2007. The 11-track set captures the magic and intensity of Benoit in a live setting, joined by his faithful backup unit and New Orleans mainstay, Louisiana’s LeRoux, and a series of guests representing some of the most talented voices on the current blues, Cajun and country scenes: harpist/vocalist Jimmy Hall (Wet Willie), guitarist/vocalist Jim Lauderdale, harpist/accordionist Johnny Sansone, fiddler/washboard player Waylon Thibodeaux and harpist/vocalist and Fabulous Thunderbirds frontman Kim Wilson.

In addition to the CD, Telarc has assembled a companion DVD, Live in Nashville, featuring intimate footage culled from the same May 2007 performances. Both the CD and DVD are available in April 2008. more >>>