The Howlin' Brothers
Howlin' Brothers
Jun 29, 2018 at 7:00 PM
Isis Restaurant & Music Hall
Asheville, NC
Ticket sales ended Jun 29, 2018 5:00 PM. Additional tickets may be available at the box office.
$12 / $15

Limited Tables Available with a Dinner Reservation :: All Other Seating is First Come First Serve General Admission :: Please Call Venue for Dinner (Table) Reservations
Music : Genre: Acoustic,Americana,Bluegrass/Old-Time
“Sounding as though they wandered in from the hills of the Great Smokey Mountains.  The Howlin’ Brothers bring an authentic and earnest Americana sound to the stage.  With lead singer Ian Craft switching between accompanying fiddle or banjo, Jared Green strumming an acoustic guitar, laying some soul with the mouth organ, singing backup or lead, and occasionally dancing on an amplified board to enhance the rhythm, and with stand up bassist Ben Plasse being the true time-keeper of the group as the trio do not tour with a drummer, the talented trio often sound like they possess at least double the half dozen hands they share on stage.”  

"Of course, the quickest comparison one will make to the Howlin’ Brothers is Old Crow Medicine Show. 
They are the only other contemporary act to really ‘make it’ while putting out music in tribute to this dusty 
period of Americana. While that is a pretty easy bridge to build, the most interesting aspects of HOWL come 
from the ways in which this group deviates from the calculation. This is Old Crow Medicine Show for people 
that like a little more sweat on the microphone; the Delta Holler Funk, if you will. More than that however, the 
boys are willing to do a lot more playing around with influences on this record than one will typically hear in 
a ‘throwback’ record. You can hear elements of Jeff Tweedy (“Gone”), Dan Auerbach (“People Been Talkin’”), 
and even Dr. John with some dixieland brass (“Delta Queen”). Even when at their silliest, the brothers have 
something of interest driving the song (a Louis Armstrong scat vocal???).

As if any more proof were necessary, Howl‘s strongest moment comes at the point when the band deviates the furthest from what you would expect to hear. On “Tell Me That You Love Me”, the old country pickin’ is about the only old country aspect of the song. Combined with a modern pop song structure and off-the-wall haunting cowboy vocal harmony in the background (that also happens to fit perfectly), this track is nothing short of fantastic. In other words, the music on Howl is about as forward thinking as any backwoods country record you will hear. The Howlin’ Brothers are using the Americana vehicle to drive something new without making it feel forced. They don’t sacrifice what makes roots music great, but they also avoid coming off like a cheap Wild West costume party. The result is one of the very few records so far this year that have me humming along after only a few listens. These songs will get stuck in your head, feet and ass quickly. For once, I’m actually thankful for it. This is one of those albums that has continually grown in my ear with each successive listen, signifying a work that is certainly more important than your standard revisionist heritage act." more >>>