Details

Paul Thorn with special guest Bonnie Bishop
Bonnie Bishop
Paul Thorn
Mar 7, 2013 at 8:00 PM
Doors open 6:00 PM
Ticket sales ended Mar 8, 2013 3:00 AM. Additional tickets may be available at the box office.
Before Paul Thorn made his living as a singer, he was a professional boxer. He also spent 12 years working at a furniture factory in his hometown of Tupelo, Miss. Thorn still lives in Tupelo. He's released six albums of songs filled with characters from pimps to preachers, and from a small-town temptress working at a Dairy Queen to a guy running a combination revival tent and fireworks stand. Join us at The Melting Point on Thursday, March 7th for a journey into the fascinating creative depths of Paul Thorns songwriting.
- 18+ Show -
Music : Genre: Acoustic,Blues,Folk Rock,Singer/Songwriter,Southern Rock
Bonnie Bishop | 8:00 PM
BONNIE BISHOP FINDS NEW GROOVE & REDEMPTION IN HER MUSIC; RETURNS TO THE ROAD

“Went back in the house and picked up this guitar; somehow my fingers found their way to my heart.” In one line, Bonnie Bishop sums up a lifetime of experience crammed into only a few short years. After a successful career on the Americana and Texas music circuits including four albums, critical acclaim and a nomination for Vocal Performance of the Year at the Lone Star Music Awards, Bonnie came off the road and moved to Nashville to pursue a songwriting career.

She married and divorced during this touring hiatus, only to write her way through the heartache and find fortitude and faith among her instruments. “Not ‘Cause I Wanted To,” a song resulting from this period, was cut by her musical hero Bonnie Raitt for the new album releasing April 10, 2012.

An admitted underdog at heart and in her career, Bonnie joyfully returns to the road this spring in support of her new album, Free. She’s full of life and reinvigorated, excited to meet new fans and reconnect with those who’ve supported her for years. The new material, combined with her personal journey, prove that unapologetically honest music – and an unflinchingly authentic heart - will always find a place.

Her soulful compositions and raspy voice outlive her personal reinvention as she finds driving rock rhythms in her guitar and on her piano – the latest addition to her cadre of talent. Bonnie wrote the new material with a simple notion in mind: You have to love yourself before you can fully love and be loved by anyone else.

Three parts Gavin Degraw, Janis Joplin and Bonnie Raitt, with a splash of Grace Potter and a shot of Robert Earl Keen, Bonnie’s affecting lyrics and musical prowess underscore her ability to encourage and validate the listener. Her stories of survival and redemption, often weighted subject matter, find their way into empowering and anthemic songs fit for anyone’s personal theme song playlist.

“My music evolved because I fundamentally changed,” said Bonnie. “My experiences in the last few years, however painful, taught me humility and personal accountability. I learned how strong my faith in God was when I actually had to rely on it, not just profess it. I learned the art of gratitude and forgiving myself. Most everyone needs to know all of this is possible.”

Her story is fully told in the new material releasing this fall. Whether she’s performing an intimate, one-woman show or rocking out with a full band, Bonnie’s music will shake your core, lift you up and bring you back around to the bright side.

Bonnie frequently writes with the most lauded songwriters in Nashville and has several cuts with major recording artists. Her albums include Things I Know (2009), Live at Magnolia Avenue Saloon (2006), Soft to the Touch (2005) and Long Way Home (2004).

When she’s not touring, Bonnie lives in Nashville. Her creativity also comes to life in the kitchen where she’s perfecting a style of healthy cuisine as unique as her music. Bonnie’s house family is incredibly well fed and entertained. more >>>
Paul Thorn | 9:00 PM
Paul Thorn’s latest album Too Blessed To Be Stressed stakes out new territory for the popular roots-rock songwriter and performer. “In the past, I’ve told stories that were mostly inspired by my own life,” the former prizefighter and literal son of a preacher man offers. “This time, I’ve written 10 songs that express more universal truths, and I’ve done it with a purpose: to make people feel good.”

Which explains numbers like the acoustic-electric charmer “Rob You of Your Joy,” where Thorn’s warm peaches-and-molasses singing dispenses advice on avoiding the pitfalls of life. The title track borrows its tag from a familiar saying among the members of the African-American Baptist churches Thorn frequented in his childhood. “I’d ask, ‘How you doin’, sister?’ And what I’d often hear back was, ‘I’m too blessed to be stressed.’” In the hands of Thorn and his faithful band, who’ve been together 20 years, the tune applies its own funky balm, interlacing a percolating drum and keyboard rhythm with the slinky guitar lines beneath his playful banter.

Thorn’s trademark humor is abundant throughout the album on Perpetual Obscurity/Thirty Tigers. “Backslide on Friday” is a warm-spirited poke at personal foibles. “I promised myself not to write about me, but I did on ‘Backslide,’” Thorn relates. The chipper pop tune is a confession about procrastination, sweetened by Bill Hinds’ slide guitar and Thorn’s gently arching melody. “But,” Thorn protests, “I know I’m not the only one who says he’s gonna diet and just eat Blue Bell vanilla ice cream on Sundays, and then ends up eating it every day!”

“Mediocrity Is King” takes a wider swipe, at our culture’s hyper-drive addiction to celebrity artifice and rampant consumerism. But like “Everything Is Gonna Be All Right,” a rocking celebration of the simple joys of life, it’s done with Thorn’s unflagging belief in the inherent goodness of the human heart.
“I don’t think I could have written anthemic songs like this if I hadn’t made my last album,” Thorn says of 2012’s What the Hell Is Goin’ On? Like 2010’s autobiographical Pimps & Preachers, it was among its year’s most played CDs on Americana radio and contributed to Thorn’s rapidly growing fan base. And Thorn followed that airplay success with his current AAA-radio hit version of “Doctor My Eyes” from April 2014’s Looking Into You: A Tribute to Jackson Browne. The latter also features Grammy winners Bruce Springsteen, Bonnie Raitt, Lyle Lovett, the Indigo Girls, Lucinda Williams, Keb’ Mo’, Ben Harper and Don Henley.

What the Hell Is Goin’ On? was also Thorn’s first set of songs written by other artists, borrowed from the catalogs of Allen Toussaint, Buddy and Julie Miller, and Rick Danko, among others.

“I lived with those songs and studied them before I recorded that album, and that changed me and made me grow as a songwriter,” Thorn relates. “Lindsey Buckingham’s ‘Don’t Let Me Down Again’ especially got me thinking. It was a rock anthem with a sing-along hook, and I fell in love with it and the idea of big vocal hooks. So every song on Too Blessed To Be Stressed has a big vocal hook in it. And it works! We’ve been playing these songs in concert, and by the time the chorus comes along for the second time people are singing along. I’ve never seen that happen with my unreleased songs before, and I love it.”

It helps that those big vocal hooks on Too Blessed To Be Stressed are being reinforced by the sound of Thorn’s flexible and dynamic band, as they have been doing for years in concert. During their two decades in the club, theater and festival trenches, the four-piece and their frontman have garnered a reputation for shows that ricochet from humor to poignancy to knock-out rock ’n’ roll. Guitarist Bill Hinds is the perfect, edgy foil for Thorn’s warm, laconic salt o’ the earth delivery — a veritable living library of glowing tones, sultry slide and sonic invention. Keyboardist Michael “Dr. Love” Graham displays a gift for melody that reinforces Thorn’s hooks while creating his own impact, and helps expand the group’s rhythmic force. Meanwhile drummer Jeffrey Perkins and bassist Ralph Friedrichsen are a force, propelling every tune with just the right amount of up-tempo power or deep-in-the-groove restraint.

“These guys really bring my songs to life,” says Thorn. “A lot of albums sound like they’re made by a singer with bored studio musicians. My albums sound they’re played by a real blood-and-guts band because that’s what we are. And when we get up on stage, people hear and see that.”

Thorn’s earlier catalog is cherished by his many fans thanks to his down-home perspective, vivid-yet-plainspoken language and colorful characters. It helps that Thorn is a colorful and distinctly Southern personality himself. He was raised in Tupelo, Mississippi, in the land of cotton and catfish. And churches.
“My father was a preacher, so I went with him to churches that white people attended and churches that black people attended,” Thorn says. “The white people sang gospel like it was country music, and the black people sang it like it was rhythm and blues. But both black and white people attended my father’s church, and that’s how I learned to sing mixing those styles.”

His performances were generally limited to the pews until sixth grade. “I’m dyslexic, and got held back in sixth grade,” Thorn relates. “I didn’t have to face the embarrassment, because my family moved and I ended up in a new school. There was a talent show, and I sang ‘Three Times a Lady’ by Lionel Ritchie with my acoustic guitar, and suddenly I went from being a social outcast to the most desired boy on the playground. The feeling I got from that adulation stuck with me and propelled me to where I am today.”

At age 17, Thorn met songwriter Billy Maddox, who became his friend and mentor. It would take several detours — working in a furniture factory, boxing, jumping out of airplanes — until Thorn committed to the singer-songwriter’s life. But through it all he and Maddox remained friends, and Maddox became Thorn’s songwriting partner and co-producer.

Nonetheless, Thorn possessed the ability to charm audiences right from the start. Not only with his music, but with the stories he tells from the stage. “Showmanship is a dying art that I learned from watching Dean Martin on TV when I was a kid,” Thorn explains. “He could tell little jokes and then deliver a serious song, then make you laugh again. And he would look into the camera like he was looking right at you through the TV. That’s what I want to do — make people feel like I’m talking directly to them.”

That’s really Thorn’s mission for Too Blessed To Be Stressed, which can be heard as a running conversation about life between Thorn and listeners — a conversation leavened with gentles insights, small inspirations and plenty of cheer.

“I wrote these songs hoping they might put people in a positive mindset and encourage them to count their own blessings, like I count mine,” Thorn observes. “There’s no higher goal I could set for myself than to help other people find some happiness and gratitude in their lives.” more >>>
Ticket Prices

General Admission

$18

Event Schedule

Bonnie Bishop

8:00 PM

Paul Thorn

9:00 PM